A NEW Magickal Media Production
"Finding the Pole" a Beltane silent movie by Bran Aldag.
A Beltane Ritual with the Maybranch and May Pole.
Click here. The link will take you to our new YouTube channel..
Enjoy! Happy Beltane!
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THE SPIRIT OF ALBION
(a pagan musical)
“The Old Ones have not abandoned you”
Egotrip Productions
In association with Banshee Productions
present
THE SPIRIT OF ALBION
(a pagan musical)
Tagline: “The Old Ones have not abandoned you”
DVD release worldwide on 1st may 2012
Available as NTSC and region free PAL
Running time 85 mins
5.1 surround & stereo
aspect ration - 16:9
DVD extras: Film-maker’s commentary
Writer’s commentary
25 minute Making of documentary
Out-takes
Main credits:
Filmed and Directed by Gary Andrews
Songs and Music by Damh the Bard
Principal Cast (in order of appearance)
Arianrhod – Lucy Brennan
Himself – Damh the Bard
Esther –Emma Doubleday
Annie – Ella Sowton
George – James Abbott
Priest – Olly Reeves
George’s Brother – Dan Woods
Ceridwen – Joy Tinniswood
Horned God – Seán George
Morrighan – Joanne Marriott
Robin Goodfellow – Redvers G. Russell
Monk – Gary Andrews
Screenplay by Gary Andrews (based on the original stage production by The Archway Theatre Young Adults Workshop)
Make-up – Lucy Brennan, Lucy Darkness, Nicola Thomas
Stills Photographers – Lusete, Stevie Pickering
Key Grip/Camera assistant - Pete Russell
1st AD - Simon Westley
Boom operator - Paul Gascoyne
Arianrhod’s costume – Natalie Egleton
Digital Visual Effects Lead – Chris Taylor
Edited and Colour Graded by Joy Andrews
Dubbing Mixer - James O'Brien at Fitzrovia Post
Produced by Egotrip Media Ltd
Production co-ordinator/Line Producer - Julianne Honey Mennal (Banshee Productions)
Associate Producer - David Smith
Executive Producer – Joy Andrews
The Spirit of Albion © Egotrip Media Ltd 2012
Background
The story began life as a Youth Theatre project in the UK in September 2009 –a devised piece based around 10 songs by Damh the Bard and was performed for just 3 nights in a tiny Studio theatre in July 2010. This was followed by an ‘age appropriate’ cast performance at the Ashcroft Theatre, Croydon for Witchfest International in November 2010. By this point, pre production was already underway on the film and the cameras started rolling on 30th April 2011. Filming took place on and off throughout the summer and the final day of principal photography was September 4th 2011.
The film is an independent feature totally self-funded by Egotrip Media with no corporate backing or sponsorship. All the cast and crew worked for free based on a love of the material. The sound mix was done at a professional post production sound house in Soho.
The story (contains some mild spoilers)
Esther, Annie and George are 3 young people who are at a point in their lives where they feel it is hard to go on as they are. Each of them calls quietly for help to no-one in particular… but someone is listening. All three meet mysterious strangers who get them to open up about their worries and lead them all to a glade in the woodland on Samhain Eve. There, they meet Robin – an enigmatic man who encourages them to tell their stories to each other. Then, Annie’s estranged brother, a Priest, stumbles across them and the strangers reveal themselves for who they really are. More revelations follow as the story heads to its moving and uplifting climax.
The narrative is woven through with the haunting and powerful songs of Damh the Bard (sung by the cast as part of the action) who as also composed and performed the score for the film.
LINKS
To find out more about the film, including a detailed shooting diary and a shop page where you can buy the DVD (as well as a range of merchandising), go to:
www.thespiritofalbionthemovie.com
You can follow on Facebook at https://www.facebook.com/pages/The-Spirit-of-Albion-the-Movie/154835874546758 where you will find extensive photo albums taken during filming.
Follow on Twitter at @AlbionStuff
Go to ‘spiritalbion’ channel on You Tube to see a series of Behind the Scenes video diaries.
Keep up with future projects by us on https://www.facebook.com/EgotripMediaLtd
Contact us on info@thespiritofalbionthemovie.com with any questions or to be added to our mailing list.
Find out more about Damh the Bard on http://www.paganmusic.co.uk/
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New Release from Murphey's Midnight Rounders
Popular Midwest folk band, Murphey's Midnight Rounders,
have hit the ground running again in 2012. After a 2-year
recording hiatus spent touring around the country, they
have emerged from the studio, having produced 24 songs
in just 6 months, most of which were written by Brad
Murphey, the band's songwriter and guitarist.
"We are very excited about our upcoming CD Release
Party", said Murphey, "which will celebrate the release of
our 2 new CDs: Pearl Street and Swede Hollow"

The release party, which is free admission, and open to all
folk music fans, will take place at 7pm on Saturday, March
31, 2012, at the Doubletree Hotel in St Louis Park, MN
Brad Murphey, Teresa Frank and Bonnie Hanna-Powers are at the top of their form with these two CDs – most of the tracks are brand new, but have an authentic folk and Americana sound with their haunting themes and harmonies. Pearl Street is more main stream, if that term can be used for folk music. Brad Murphey wrote all of the songs, but one - Hard Times Come Again No More is an old Stephen Foster song that is still very relevant today. Most of the songs on Pearl Street have an underlying message that ranges from counter-culture to songs of protest, and yet their catchy melodies and witty lyrics keep them from being too somber. Third Bombay, Uncle Chronic and Upper Midwest Terrorist Society and Sewing Bee are good examples of counter-culture, while Started All Over Again and Soul of a Nation are straight up protest songs. Morning Come Too Soon is just a plain fun song about a hangover.
Swede Hollow explores Paganism and the Pagan lifestyle. Songs that Rounders fans have enjoyed listening to at open air gatherings, such as Wreck of the Modern Pagan and Maiden Warrior Mother Crone, are now represented on this CD. Newer songs, like Hey Mamma, I'm a Real Live Witch and New Age Pagan Rag are also included, together with traditional songs such as Pretty Annie, Soul Cake Song and Hot Crone Chant which benefit from sparkling new treatments.
Both CDs, which were created at Rhythmpriest Studios, can be purchased at the Release Party, or from
the Band's website: http://www.mmrmusic.com. They can be contacted by email at
contact@mmrmusic.com
Thirteen Movies Every Pagan Should See
By Malcolm J. Brenner
Here with an idiosyncratic list of movies, a lunar year of films depicting Witchcraft, Shamanism and Paganism vividly, if not always accurately, and sometimes even in a favorable light. All of them involve conflicts between the Pagan and conventional world-views; a few purport to be historical. They are all well-produced, entertaining pictures worthy of viewing and analysis in any Pagan or interfaith discussion circle. In compiling this list I restricted myself to feature-length, live-action theatrically released movies; another whole list could be compiled of animated films or made-for-TV movies. Listed in no particular order.
1) The White Dawn, 1974. Timothy Bottoms, Warren Oates and Lou Gossett star in this tale of three lost Yankee whalers taken in by the proud chief of an Inuit tribe. The shaman warns of trouble, but the chief isn’t listening. Features remarkable on-location photography in the Arctic and wonderful performances by native non-professional actors. Based on a novel by James Houston, which was in turn based on a true story. Directed by Philip Kaufman.
2) The Emerald Forest, 1986. John Boorman is one of my favorite directors with good reason, as he frequently plumbs the realms of myth and fantasy. This is a story of conflict between a dam engineer (Powers Booth) hunting for his stolen son and the Amazonian tribe that has kidnapped him. When the engineer finds his son, now grown to manhood in the tribe, he realizes the dam he is building will flood their territory and destroy their way of life. Filmed on location in the Amazon rain forest.
3) The Last Wave, 1977. Richard Chamberlain stars as an Australian lawyer hired to defend an Aborigine (played by Gulpilil) accused of murder, but the suspect turns out to be something slightly more than human. A truly haunting and evocative movie that proves creative editing may be the best special effect of all. Directed by Richard Weir.
4) Cabeza de Vaca, 1991. Based on a true 16th Century account by the treasurer of the Spanish galleon fleet, this story follows the title character as he is shipwrecked in Florida and taken captive by a native sorcerer. De Vaca quickly learns his rank and prestige mean nothing to the Indians who now hold him as a slave. A Mexican production, this is in Spanish with English subtitles and features one of the most memorable final shots of any film I have seen.
5) The Wicker Man, 1973/2006. Made first as a low-budget British production, then re-made as a Nicholas Cage vehicle, the film tells the story of a Christian police officer looking for a missing girl in a pagan community with its own set of rules. Sometimes described as “the Citizen Kane of horror movies,” this film has often aroused passionate defenses of the Pagan lifestyle it portrays, in spite of the fact that the Celtic Pagans are every bit as rigid and dogmatic as their antagonist. The early version is widely held to be superior to the Nicholas Cage remake.
6) Zardoz, 1972. How can you not like a film that opens with naked riders greeting a giant flying stone head that vomits guns? Sean Connery plays Zed, a post-apocalyptic “brutal” who infiltrates a colony of loopy, self-obsessed scientists posing as gods. The tables turn and turn again as Zed seeks out the reasons for his existence. Directed by John Boorman and filmed on location in Ireland, this film is so low-budget it sometimes looks like a family home movie. It’s also a screamingly funny indictment of the New Age culture before there really was such a thing.
7) Belizaire the Cajun, 1986. The redoubtable Armand Assante plays the title role as a 19th Century Cajun healer who is framed for murder. Although it tanked at the box office, the film is remarkable for its music, its sympathetic portrayal of the little-seen Cajun culture and its final scene, in which Belizaire, with a rope around his neck, performs a desperate, defiant act of pure magic.
8) The Apple War, 1971. Ignore the low production values and cheesy special effects, this film is a hoot! When a German industrialist proposes to build an amusement park on their village, the resident witches unleash their magical powers on him. Famous for the line “The best way to make a spell is to spit in a shoe and throw it out the window!” You’ll find out why. In Swedish with English subtitles.
9) Witch Hunt, 1985. Although it may be difficult to find, this film is one of the best depictions of the witch-hunting craze in 14th Century Europe. When a wealthy and independent woman comes to a small Norwegian village, the locals cannot let her live in peace. Directed by Anja Breien, in Norwegian with English subtitles.
10) Macbeth,1971. You may not like director Roman Polanski’s morals, but his dark, violent version of Shakespeare features some formidable witch-hags who send the title character on a mind-bogglingly bad trip. Besides, how can you argue with The Bard? Filmed on location in Scotland, the movie has a gritty, authentic feel and great special effects.
11) Excalibur, 1981. OK, so I like John Boorman! This is one of the best productions of the Arthurian legend, with a colorful cast of Shakespearean actors playing the parts of King Arthur and his knights. Nicol Williamson is a wonderful, silver-pated Merlin; Patrick Stewart and Liam Neeson also have minor roles. Boorman gives us unforgettable images of a time when magic was real, or at least realer.
12) Sorceress, 1987. Based on the charming legend of a knight’s dog that became a French saint, this movie tells the story of a humble Dominican priest who starts stirring up trouble with a medieval town’s white witch and what happens as a result. The ending is an unexpected surprise and a plea for tolerance. In French with English subtitles.
And finally...
13) Burn, Witch, Burn! 1962. A college psychology professor forces his superstitious wife to quit practicing voodoo, only to find that she’s been protecting him from ultimate supernatural disaster. Based on the short story “Conjure Wife” by Fritz Lieber, this film has become a cult classic. In eerie, moody B&W.
AUTHOR’S BIO
Malcolm J. Brenner practiced American Eclectic Wicca for 20 years and co-founded the Elysian Harvest Festival, the first large pagan gathering in the Pacific Northwest, in 1982. A writer, photographer and video maker, Brenner is the author and publisher of Wet Goddess: Recollections of a Dolphin Lover, his first novel. He lives in Punta Gorda, Florida.
http://wetgoddess.net "The Wet Goddess" is a book of esoteric information about dolphins, wales and other aquatic people, by Malcolm Brenner.
New Release from Celia:
Bridget's Song
This song is from the album Celia Sampler 2, track released on 16 January 2012
Written & Performed by Celia
Here is purchase information: The track can be purchased for $1 in MP-3 or other digital formats. This song is perfect for ritual or to play while creating a crafts project or during your holiday feast.
Here are the lyrics:
Bridget's Song
Words and Music by Celia
© 2012 Red Granite Goddess Publishing/ASCAP
www.celiaonline.com
Verse 1:
Goddess Bridget
Peace Weaver, Healer, Poet, Queen.
Melt the snow and bring the spring.
Verse 2:
Saint Bridget
Gold Bender, Keeper of the Flame.
Blessed Imbolc.
We Sing Your Name.
Chorus:
We Sing Your Name.
We Sing Your Name.
We Sing Your Name.
We Sing Your Name.
We Sing Your Name.
We Sing Your Name.
Goddess Bridget.
Keeper of the Flame.
Bridge:
Bridget so beautiful
Bridget so powerful
People of all paths will gather round to sing your name.
Bridget so beautiful
Bridget so powerful
People of all paths will gather round to sing your name.
Yuletide Song, “Wilmington” to Help Victims of the Recession
On December 20, 2009, when CBS’s “60 Minutes” aired a segment titled “Wilmington’s Long Recession,” Indiana songwriter Judith Hizer felt it intensely and personally. She had experienced the recession of the 80’s as a young mother of three small children. After having a good cry, she spent the next hour writing a song. She brought it to her producer, Corky Andrews. With Andrews and a collection of other talented musicians, Hizer recorded ‘“Wilmington,” which is available as a single download on CD Baby.
“Wilmington” is a different sort of Yuletide song: a rock backbeat and stirring guitar solos with folksy lyrics ─ and a powerful message of compassion and community in the face of the recession.
Realizing that one need for the unemployed ─ dignity ─ can’t be met by nonprofits and government agencies, the musicians involved are donating all proceeds to the Lakshmi Bridge Project, which will offer micro business loans to applicants who’ve lost their jobs in the recession. Hizer plans for the first recipient to come from Wilmington, Ohio.
The song “Wilmington” is the first work produced for the Lakshmi Bridge Project. Hizer invites artists from all disciplines to produce works to support the cause.
“Wilmington” can be purchased at url
To see the 60 Minutes segment that inspired the song, go to: url
The Lakshmi Bridge Project is under the auspices of the Pagan Educational Network, a non-profit organization dedicated to educating the public about Paganism and building community.
Please visit the Lakshmi Bridge Project on Facebook.
url
Kenny Klein
Listen to "My Pagan Girl"
Kenny Klein is a versatile musician, as well as an author, ritualist, teacher and cornerstone of the Pagan community. Playing Renaissance faires, Pagan gatherings, local venues, and the occasional reenactment, Kenny’s fiddle music can range from Gypsy campfire to reverent ceremonial to ancient and American folk tunes to mirthful, danceable originals.
I first heard Kenny twenty plus years ago at a Goddess Gathering, playing with then-wife Ziporah, and have in my possession two of their compilations on scratchy 2-track cassette tapes. Kenny’s voice is inspiring, and their combination of fiddle and flute ranged from joyful to reverent to mournful, yet it wasn’t enough to compensate for Ziporah’s nasal tones (sorry, fans, but it was challenging for me to listen to). Kenny does much better as a solo artist, or in combination with guest singers and pickers. His vocals have only grown stronger and more listenable as the years have passed. Kenny is truly a master of the fiddle, and he brings an innate knowledge of history, magick and culture to his music.
One song is offered above and another here:
(Fairy Queen) and if you go to Kenny’s website http://www.kennyklein.net/ , more are available for free. I strongly suggest downloading more of the music or purchasing the CDs through his site or via Amazon. His books and some liturgy are also available through the website or www.llewellyn.com Kenny is also a founder of the Blue Star tradition of Wicca.
Some videos on uTube:
BIO:
Kenny Klein is a Pagan musician,author and artist. An all round musician on fiddle, guitar, vocalsand songwriting, he was one of the first musicians to perform Paganmusic at Pagan festivals and renaissance faires, and has been afeatured artist at events throughout the U.S. and Canada for severaldecades. Kenny has performed at such legendary festivals as Starwood,PSG, Heartland Pagan Festival, Free Spirit Gathering, Florida PaganFestival, Sirius Rising, and Goddess Gathering. Kenny has alsoperformed at events such as Northern California Renaissance Faire,Southern California Renaissance Pleasure Faire, Colorado RenaissanceFaire, Scarborough Faire (Texas), Bristol Renaissance Faire(Wisconsin), the New York Renaissance Festival, GenCon, the New YorkFaerie Festival and the Arizona Faerie Festival.
Kenny currently tours heavily,performing original music at Pagan fests, renaissance faires, Irishfestivals and other venues. He has several recordings of musicavailable on his website, or downloadable on iTunes. He often playswith non-Pagan bands and performers as well, doing Irish music,Blues, Swing and Country.
As a musical performer versed in stylesranging from Irish to Blues, Swing to Dark Wave, Kenny has broughtmany unusual genres into Pagan music. His Fairy Queen CD is anexploration of Pagan Dark Wave, and his CD Meet Me In The Shade OfThe Maple Tree is the world's first CD of Pagan Bluegrass music.Kenny's newest CD is the world's first offering of Pagan Jugbandmusic.
Kenny's books in print include:
The Flowering Rod (Immanion, 2009), abook about men's involvement in Wicca.
Through The Faerie Glass (Llewellyn,2010), a look at the dark, eerie depiction of Faeries in British andother European folklore.
Fairy Tale Rituals (Llewellyn, due May2011) a look at the darker aspects of Grimms Fairy Tales, with rituals inspired by these.
The Greenman and The Muse
If you enjoy gentle folk music sung around a campfire with a guitar strumming and drum tapping, if you listened to Janis Ian and Peter, Paul & Mary in the early sixties, or if you’re a child, you will love The Greenman and the Muse. Their initiatory CD “Magick Planet” was just released this week, (Sept. 23, 2011) and I was so pleased to receive my copy in the mail. Having attended their live acoustic concert at the Chrysalis Moon festival, it was wonderful to listen to the studio version.
Although some songs, such as “Pagan Baby” and “Secret Pagan Man” are great fun in a sing-along crowd, other tunes clean up well on CD, such as the attached sound file “The Tree and the Sparrow”, which is wonderful for listening to during a stressful workday, or as a lullaby to soothe a reluctant toddler at naptime.
In fact, I gave the CD the “Grandson Test”. Our favorite kid was dancing in place and shouting out words he recognized. Several of the tracks, notably “The Greenman of the Forest”, “Gentle Arms of Eden”, and the title song “Magick Planet” are perfect for children. If you involve your youngsters in ritual, playing these songs and inviting the kids to sing along will be an optimal addition to your ceremony. Other tunes that will make your ritual special are “Beltane Fire” and “The Dionysos Dance”, both of which will set the sabbat in motion.
For a more thorough review of music by The Greenman and The Muse, please see our article about Chrysalis Moon here.
Greenman, also known as Cernowain Greenman, plays a folky, cheerful acoustic guitar, and The Muse, also known as Anaan Sapphira, sings backup vocals and plays all manner of percussion. They’re a delightful duo. You can visit them on Facebook at http://www.facebook.com/pages/The-Greenman-and-the-Muse/287064718549?ref=ts
For those of you who live nearby, the Greenman and The Muse will be appearing at Indianapolis Pagan Pride Day on Saturday, Sept. 24.
Cover art by Mickie Meuller features a traditional foliage figure superimposed on the earth. You can see the original version, and obtain song lyrics, at the website www.greenmanandthemuse.com There are also two other songs to download on their site.
To purchase instant downloads of the “Magick Planet” CD, go to Bandcamp: http://greenmanandthemuse.bandcamp.com/ and to buy a hard copy with Mickie Meuller’s art on the cover, send an e-mail to greenmanandthemuse@gmail.com You can also contact The Greenman and The Muse for bookings at that address.

Bell Book and Canto
set to release New CD
Bell Book and Canto is a chorale group of women of various Earth Spirituality backgrounds, are set to release a new album of songs called "Thirteen Moons". Information appears on their website: http://bellbookandcanto.com/welcome.cfm Special Bonus FREE Gift: For Imbolc, a rough cut of the song "Candlemas", which will be completed and released on the new album.
Thirteen Moons is the first concept album for Bell Book and Canto, hopefully one of many more to come. Like the title suggests, it's a musical celebration of The Wheel of the Year, with songs for each of the 8 major Pagan holidays, three for the Waxing, Full, and Waning Moon, and one or two more tossed in for good measure.
We're looking forward to this new project, and excited to hear the first song from the album!
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Rorn, Waste-Ranger of Nightwake, looks across a wreckage of utter unending night, unsullied by moons or stars, prowled by things suited to blindness and ruin. A realm where man clings to survival in impregnable noctilucent mansions, where only a few can and do step outside to take messages of possibility and comfort
Many years ago, while doing some research in Hong Kong, I accidentally overheard two women talking about dream animals. I went into a café and sat down at a table next to an attractive Asian lady and her American friend. I wasn’t paying any attention to their conversation, until I suddenly heard the Asian lady explaining the concept of animal dreaming to her friend. According to her, if a woman dreamt of an animal about the time she became pregnant, her baby would possess the qualities of the animal she had dreamt about. I was fascinated, and after apologizing for overhearing the conversation, asked if I could join in.
An Interview with Author Richard Webster 


Crystal Blanton: Crystal Blanton is a trained and experienced Registered Addictions Specialist in the field of drug and alcohol counseling, the mother of a large family and a married wife of fifteen years. Blanton has specialized in addiction studies and has experience in counseling, addiction, mental illness, developmental disabilities and criminal justice. “Bridging the Gap; Working Within the Dynamics of Pagan Groups and Society” addresses ways that techniques can be used to support the growing dynamics within the Pagan community. Blanton's second book "Shades of Faith; Minority Voices in Paganism" is an anthology that she worked on with other contributors, to give voice to those of minority decent who are also practicing Pagans. Blanton is an ordained minister with Covenant of the Goddess and a High Priestess with the Rising Phoenix Tradition (Family of the Rising Phoenix) and Dance of the Spirit Moon Tradition. Blanton is also a student mentor. She has worked in the field of counseling for the last 15years, over 11 of those have been within the drug and alcohol treatment field. She currently works with adolescent treatment of drugs and alcohol. Blanton has been published in Circle Magazine, The Belefire Magazine, Timeless Spirit Online Magazine, Witchvox and Pagan Pages. She lives in the San Francisco Bay Area with her husband and children. She is an avid reader, tarot reader, High Priestess, coven leader, mentor and enjoys having fun with the people in her life.
Throughout history, the ancient Northern people claimed themselves devoted to their gods. In many of the sagas and folklore, the ancients even trace back lineage directly to the divine. Today, in modern heathenry close personal relationships with deities have returned with full force. FULLTRÚI examines this phenomenon by showing real life examples of people living with patron gods. Granting readers an inside look into the joy and hardships of these relationships through personal firsthand accounts of those living and working with gods, FULLTRÚI answers many questions about working with gods including how to find and develop relationships with the gods by using practical and down to earth material that virtually everyone can relate to. This book breaks the standard academic nature of most heathen books, by allowing readers into the life of those that live with the gods.
FULLTRÚI includes: Exercises to develop personal relationships with gods; Guided meditation to discover your personal patron and the worlds they live in; Devotional poetry to bring you closer to your gods; Compelling articles that show deep connections with gods; Historical examples of patron relationships. And much more. Let Mist take you on a personal exploration of patron relationships through which anyone can learn and develop bonds of their own. Come and heed the voice of the gods and submit yourself to fulltrúi.
Author Information -- Fulltrui, Patrons in Ásatrú , Mist: Mist, Gyðja of Kenaz Kindred, has been practicing Ásatrú for over nine years. After dedicating herself to the path, she created a kindred of her own: incorporating both spiritual experiences and historical practices into her teaching programs. Her rituals created a unique form of heathenry that allows for deep and meaningful connection with the gods. Mist lectures at many heathen and pagan festivals in Canada. She has also written for several other books. Most of her day is spent writing and caring for her toddler and running Kenaz Kindred. In her own words: "I came into heathenry by accident, through a direct meeting with Odin. It was not what I expected would happen to a person that was not aware of this path, but such is life. I learned quickly that I would have to change my whole way of thinking about everything, and delved into reading everything I could about heathenry. Out of all of the paths, Ásatrú spoke to me the loudest; I loved its stories, mythology and rituals. "I found myself very confused in the beginning, not knowing what I was supposed to do, and not finding much information out there to help me. I eventually decided to open a kindred of my own, and within a few months we grew from two to four members, people seemed to be drawn to us for a number of reasons, which only later we found out was because they were experiencing the same thing as we were, the gods seemed alive and well, and more real than just a bunch of stories. As our kindred grew, it became more relevant to start learning more advanced techniques and I studied runes to facilitate not only my own knowledge but to become a competent rune wrister. I started lecturing at various festivals in the hopes of finding others who shared in our experiences, it did not take long to find others who did, and our kindred grew to a fifteen members, some even joining from other parts of Canada. "I don’t think my expectation was to remain a priestess, but our kindred felt this was a path well suited for me, and so I took up the job, and professed to Ásatrú. I took oaths of adoption to my patron Odin, and then later to Frigga. The gods have given me a great deal of things that I am grateful for, including my daughter. I have come to find the path of Ásatrú one that continues to change, and I have changed along with it. Over the years, the fight to remain independent and different has had its unique challenges, including the lack of support and acceptance from traditional groups, but we continue to stand for what I can only think is because the gods want us to. I am grateful to have found my way here. It is has been like coming home for me, connecting to something that I feel I knew from a young age, but without a name to put to it. "I have a variety of interests from cooking to yarn crafts. I enjoy reading; writing and you can find me often sitting around listening to music from Odin’s Gift when I have a moment of free time. Most of my day is spent occupied by a toddler, a kindred, a family and my gods, and I find that it is next to impossible to talk to me at an event, but I am always here for my kindred no matter what."
This book is a primer for spiritual seekers and an introduction for those interested in Reiki, Buddhism, the Medicine Buddha and energy healing techniques. No previous knowledge is required, as the book includes the Medicine Buddha Healing Hands Technique, which will allow you to use the methods in the book for your own and others’ benefit, whether you’ve had formal training before or not. The author also examines the history and development of Reiki in depth, penetrating the myths and fantasies that have grown up around it. He explores aspects of Buddhism, and in particular the Medicine Buddha, that are pertinent to any practitioner, whatever their spiritual path. Filled with new, creative and interesting ways to work with healing energy, this book is an encyclopaedia of techniques. It covers diverse aspects and practices, including the use of mantras and meditation, and there is also a section for people with disabilities, giving a host of useful techniques for them to use healing energy effectively, whatever their physical limitations. The author has drawn upon his own experiences and experiments, as well as those of other practitioners, to create one of the most comprehensive collections of techniques ever produced.